Recent Painting

Along the Avalanche Trail, Glacier NP

Despite the fact that I'm only painting in black and white at the academy, I nevertheless did this small painting (9" X 12"), started on site at Glacier National Park in Aug. and finished up using photos at home. Next spring my husband and I are taking off on a 5-month odyssey in our motorhome with a plan to visit several national parks around the country. I plan to leave the academy by then, finished or not with the full curriculum, and to use my new skills doing small plein air landscapes at each park. Still lifes, which I consider my primary interest, will be impossible to pursue while we're travelling. So, I'm dipping into landscapes. I do enjoy them very much, but there are so many great landscape artists, particularly in Utah, that I've always felt it was just too competitive a field for me. Regardless, I will do them and see how good I can get at them in those five months. I'm looking forward to it!

Value Exercise

This is the first value exercise Jeff allowed me to do in paint. Moving along.

Recent Value Drawings at the Academy

Tennis Shoes - Value Drawing, Feb. 2010

"Art News" - Value Drawing, Nov. 2009

Above are two recent value drawings done at the Jeff Hein Academy. These were done with vine charcoal on Arches 90-lb. cold press watercolor paper.

I feel I'm learning a lot in my days at the academy. I spend five days a week there, 5-6 hours per day, and each piece takes many weeks to complete, mainly due to Jeff being very demanding. His standards: perfection. That's not tongue-in-cheek. It can be frustrating, but also what I (and most of us) need. The biggest weakness for most of us, working on our own, is not to demand enough of ourselves and to settle for less than we're actually capable of. Maybe that's the whole purpose of formal training, to have someone telling us - and demanding of us - that we can do better than we think we can. I'm regretting that I didn't do something like this academy earlier in my life.

I am giving myself about one more year at the academy. With the shortness of my time in mind, Jeff has given me permission to complete my value studies portion of the training in paint. I must complete five value studies to his standard with virtually no help from him. After that, I can move into color. I am getting very eager to move on to color. Still working on my first value piece in paint. Unfortunately, I picked a tough subject which is taking me a long time, but, as always I'm learning a lot. I hope to complete it in the next three weeks.

Here's a recommended book for painters who may read this blog: Harold Speed's "Oil Painting Techniques and Materials". As Speed says in his book - to paraphrase - all that can be taught is craft, not art. But that's big.... Most artists nowadays have not mastered craft, but we wade quickly into concept, some with greater success than others. However, craft alone can carry all of us a long ways. What's more, I think that, for many of us, it's really the craft that we've fallen in love with, as artists. Maybe that's why I'm having such a good time being an art student.

Value Drawing, Cone, Ball and Hexagon

Here is a recently completed value study done at the Hein Academy, where I've been attending since Oct. 2008. I'm getting virtually no painting done these days, spending 4-6 hours per day, five days a week at the academy.

Mount Timpanogos Painting Update

Mount Timpangogosm as seen from Heber

8" X 18", oil on board

For the past 11 months, I have been enrolled in an art Academy in Salt Lake City, the Jeff Hein Academy. During this whole period I have only done drawing and, more recently, value, at the academy. There has been little time to paint. Still, I have had the opportunity to sit in on one of Jeff's painting workshops, and also listened to critiques and conversations he had with other artists, who are farther ahead in the curriculum than I, about painting. Just from these conversations and observations (as well as my own value studies in black and white) I have already learned a lot that seems to have helped me with my painting. This weekend I went back into the painting above to apply some of what I feel I've learned, albeit somewhat as an aside to my daily studies at the academy. I think it is much improved.

Below is the original version of the painting right after coming home from a plein air painting session with a friend. It is not refined and the photograph isn't a good one. Still, I think one can see the increased sensitivity to color and value that I've already developed. It is exciting to see that the hours I've already put in at the academy (approximately 20-24 hours per week) are having an impact.

Hand Drawings

It's been a long time since I've posted new work. I've been spending 4-6 hours per day at the art academy (Jeff Hein Academy) where I've been enrolled since Oct. 2008. During that time, I've been drawing, mainly from plaster casts. I will post some of those drawings soon, as an illustration of the kind of work I'm doing there. These drawings, however, are of hands (my own), small exercises I've been doing at home to prepare for a new painting which will involve not only normal still life but also some images of hands.

Sieve

This is the last of a tryptich (see last two entries for the other two).

Can Opener

Corkscrew

Finally back to painting. Oct. 1st I became a student at the Hein Academy of Art, where I will finally get some formal art training, something I've always wanted to do. It looks like it's going to be a great experience. Jeff Hein (you can look him up on the internet) is a very fine young Utah artist whose work is contemporary realism. I expect to become better at drawing and to refine my painting skills, without fundamentally changing my style. In the meantime, I am painting three or four mornings a week to keep my hand fresh, while my afternoons at the academy focus primarily on drawing at the moment.

Even the Little Brown Bird......Final

Here is my solution as to how to display this multi-panel painting. It was accepted into the Utah Arts Council tri-annual show, "Utah '08: Painting & Sculpture". The panels are mounted on a wood grid, made by me. When you use a non-conventional format like a multi-panel painting, you have to be creative as to how to display it. It's asking a lot of the organizers of a show to place nails in the wall in just the right configuration to satisfy your design! Best to do it for them.

Even the Little Brown Bird......

Finally, this is the multi-panel painting I've been working on for so long. Submitted it for a Utah-wide show. We'll see whether it gets in the show.

Total dimensions: 36"H X 42"W

Shoulders and Necklace

8" X 8"

Another installment for my nine-panel painting. Within a few days I'll be able to publish the whole thing.

Black Cropped Pants

Another panel for my multi-panel painting almost done. I'm feeling obliged to post paintings to my blog, even though I'm no longer on a schedule to produce daily paintings. This one reflects a second day of work on the painting. It, again, may undergo some adjustments later. I found it very hard to work with black (or, dark darks). It wasn't so much finding the variations on black that worked, but the application of the paint itself. It was very hard to paint the darkest darks into the painting without accidentally lightening them too much with the surrounding lighter shades. Every painting is another lesson learned.

Sandalled Feet

Doing "more serious" paintings, i.e. paintings that I spend more than a single day on, as with my daily paintings, is reminding me of how much I enjoy finishing off a painting. This one may not be quite done, but I've spent two days on it, now. I like the much greater control I have putting down a second layer of paint over the first one. This is one of the paintings for my larger grouping of paintings (including the flowered dress and the green sweater).

8" X 8"

Flowered Dress - Third Day

I wasn't happy enough to post the "second day" version of this painting. For once I was smart enough to hold off on publishing my latest effort until I had a chance to evaluate it with the benefit of time having passed. This is close to, if not, the final version. Of course, I need to see it with the other six more or less finished panels of this work to feel confident it's where I finally want it. I have until Sept. 25th to finish the whole work.